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VENERATION
OF THE IMAGE OF THE MERCIFUL CHRIST
Written
by Rev. Ignacy Rozycki, S.T.D., and translated by Katherine Stackpole.
Taken from the book, "Pillars
Of Fire In My Soul", edited by Robert Stackpole, S.T.D.,
Director of the John Paul II Institute of Divine Mercy. You can
obtain this very important book from the John Paul II Institute
of Divine Mercy, Stockbridge, MA.
In
1965, the then Archbishop of Cracow, Karol Wojtyla, asked Fr.
Rozycki to prepare a critical analysis of the Diary and letters
of Sister Faustina as part of the Informative
Process concerning her life and virtues. He went on to provide
the most thorough theological analysis ever written on The Divine
Mercy message and devotion as revealed to the world through St.
Faustina Kowalska. - Robert Stackpole, S.T.D.
Below
are passages from Fr. Rozycki's writings copied
from pages 107-111 from Pillars Of Fire In my Soul.
Christ
began the revelation of the Devotion [to Divine Mercy] to Sister
Helen Faustina and to the world on February 22, 1931, with an
evening apparition in her convent cell in Plock [I saw the Lord
Jesus clothed in a white garment. One hand raised in the gesture
of blessing, the other was touching the garment at the breast.
From beneath the garment, slightly drawn aside at the breast,
there were emanating two large rays, one red and one pale. After
a while, Jesus said to me: Paint an image according to the
pattern you see, with the signature, Jesus, I Trust in You. I
desire that this image be venerated first in your chapel, and
[then] throughout the world. I promise that the soul that will
venerate this image will not perish. I also promise victory over
[its] enemies already here on earth, and especially at the hour
of death. I Myself will defend it as My own glory" (Diary
47-48)].
Jesus
demanded that the Image, as the object of veneration in the Devotion,
bear the inscription "Jesus, I Trust in You! [Jezu Ufam Tobie]"
and that it be placed under and not above the painting. Christ
did not, however, place as an irrevocably necessary condition
that the inscription repeat the three words [Jezu Ufam Tobie]
exactly and literally. After all, Christ offered the Devotion
to The Divine Mercy to the whole world, to all nations who speak
in diverse tongues. Consequently, Jesus was certainly concerned
with the meaning and not the number of words. He was concerned
that the same idea be expressed, even if the words varied. Revelation
21 suggests that an image representing the crucified Christ with
two rays emerging from His pierced side with the inscription,
"Jesus, I Trust in You," would be equally acceptable
as an object of veneration, in accordance with the intentions
of Jesus Christ, and that it would enjoy the same promises as
the Image at Lagiewniki. The salvific value of Christ's death,
which is the source of Mercy, would be even more perceptible and
its meaning more understandable.
Christ
demanded public veneration of the Image of Mercy, in churches,
and not only in the private dwellings of the laity, priests or
religious. Christ did not explain in full detail what this public
veneration of the Image should be. Given that Jesus desired that
the Image be solemnly consecrated (blessed) and venerated by the
faithful in church, and not beyond the enclosure, one can presume
that He expects signs of veneration for this Image similar to
the veneration given to other paintings in churches, chapels,
and private homes.
The
Image of the Merciful Jesus is to play a double role in the Devotion.
First, for the Lord Jesus, it is an instrument through which graces
are distributed. We know that it is not the Image giving graces,
but Jesus through the Image. The Image does not have autonomous
power. For the people, however, the Image is to serve as a vessel
for drawing graces from the wellspring of Mercy.
Secondly,
by the explicit will of Jesus, the Image is to be a sign which
is to bring to mind Christ's demand for performing acts of mercy.
Since this second function of the Image is often forgotten, and
the veneration alone without deeds of mercy is not the Devotion
required by Christ, worshipers of Mercy should conform to Christ's
demand so that they let no day pass without performing at least
one act of mercy: by deed, word, or prayer.
A
practical, clear and very important conclusion flows from the
second function of the Image: Jesus awaits and demands that the
prayer of trust before the image of the Merciful Jesus be combined
with an examination of conscience, an examination of how we have
fulfilled Christ's demands to perform at least one deed of mercy
daily.
There
are two components in the promises connected with this veneration:
what Christ promised distinctly and what He promised indistinctly.
In the inaugural revelation of February 22, 1931, Christ assured,
"that the soul that will venerate this lmage will not perish.
Christ, therefore attached the promise of everlasting salvation
to the veneration of this Image.
Christ
promised that those who venerate the Image would achieve great
progress along the road to holiness gaining victory in this life
over the enemies of the soul and enemies of salvation. He promised
a happy and holy death with the assurance that He personally would
defend them as His glory at the hour of their death.
The
range of promises not directly named by Jesus was defined by the
first role of the Image, i.e., that of a vessel for drawing graces
from the wellspring of Mercy, but subordinated to trust. Consequently,
we will obtain more quickly and in a much greater degree all the
saving graces and all the temporal benefits which it is possible
to obtain through unwavering trust in Divine Mercy, if we express
this trust in the form of veneration of the Image. If the Lord
Jesus assured us that, I wish to grant unimaginable graces
to those who trust in My Mercy, then this certainly, first
of all, refers to the veneration accorded to the Image of Divine
Mercy. Finally, Christ did not delineate any limits to the size
of greatness of the graces and temporal benefits which we can
expect through veneration, with unwavering trust, of the Image
of the Divine Mercy.
Text
© 2003, Marians of the Immaculate Conception.
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